The Drink: Company
This is a remarkably coherent record, which is slightly surprising given that it is a collection of three EPs issued this year and last, and that it demonstrates a very healthy eclecticism in terms of influences, sounds and rhythms. The sinuous melodies, woven from Dearbhla Minogue’s voice and guitar playing and Daniel Fordham and David Stewart’s lightfooted drumming and bass, are twisty but often irresistibly catchy, and the record – particularly opener ‘Microsleep’ – grabs your attention in the way all good pop music should. The songs dip and shift from genre to genre, including a lovely afrobeat section on ‘Playground’, and these dramatic changes of direction have encouraged reviewers to make comparisons with Deerhoof, perhaps prompted by Minogue’s pure, high, voice, or the Breeders, or Pixies. Not bad company to be keeping, if you’ll pardon the pun.
This blog was very keen on post-rock marvels Fighting Kites,who we reviewed here and elsewhere, and we’re very glad to see that Fordham and Stewart are keeping busy while the Kites are on a hiatus… having seen them live I can tell you that it would be a shame for such talented players to be idling their thumbs. Minogue, who is also in the Wharves, is equally gifted and her lyrics match the complexity of the songs. All in all, this is a surefire recipe – these twelve songs sound like they were recorded together, despite the differences between and within them, which suggests that alongside all that talent they have a remarkably clear vision of how the band is meant to sound.
Here’s hoping they take over the world.