Compared to 2013, this year has been bloody marvellous. On the music front, when we came to sort this list out we weren’t sure that 2014 had been a ‘vintage’ year. Yet one of the many benefits (amongst the head/beard scratching) of compiling a ‘best of’ is that it makes you reflect on what has been released and the quality of the stuff out there.
We might not have had time (or the cash) to review all the music we wanted to this year, but that doesn’t mean we’re not listening and thinking about music as much as we can, and we continue to be racked with guilt that we don’t write about the things we love.
So here’s our list. It’s been tough this year as our separate nominations didn’t overlap that much. Hence, there’s a degree of arbitrariness to some of the placings. Yet it’s a fine list, chocked full of aural delights and counters those miserable naysayers who claim ‘there’s no good music these days’ (something we’ve heard a lot this year).
We hope it finds you dancing in the streets like the gentleman in the above picture is seen to do.
20. Mogwai: Rave Tapes
Mogwai’s eighth album is full of gems; like several albums on this list it came out early in the year and still sounds astonishing now.
19. Luke Abbott: Wysing Forest
Abstractions in machine agency, but with soul and the capacity to dream.
18. Teeth of the Sea: A Field in England: Re-Imagined
It wouldn’t be the BBO end-of-year list without Teeth of the Sea; their reworking of the amazing Jim Williams / Blanck Mass soundtrack to Ben Wheatley’s civil war freakout was appropriately mind-blasting.
17. Ben Frost: Aurora
Huge, sublime and downright terrifying at times.
16. The Drink: Company
It only came out at the start of the month, but it certainly grabbed our attention – as it did everyone else’s – with its tricksy-but-irresistable pop songs.
15. Goat: Commune
More instantly gratifying spiritual psyche fusion from the Swedish masked ones. We just hope the New Ageisms start to wane. Or we might have missed the irony. We’re not sure.
14. Peggy Sue: Choir of Echoes
A beautiful, and beautifully atmospheric, set of songs on this third album from Peggy Sue; two superlative voices, fine playing, songs of loss and desire.
13. Wizards Tell Lies: The Maddening Machine
Horror post-rock brilliance. There’s chaos magick rituals afoot here, we’re sure of it. And slightly scared of it.
12. Benjamin Shaw: Goodbye, Cagoule World
More twisted tales of misanthropy and hatred from songwriter Benjamin Shaw, with glimpses of sly wit and some actually rather beautiful arrangements.
11. Node: Node 2
Super groups are often problematic things, but when this bunch of mega-producers gathered and synced their modules, something incredible was birthed.
10. Perc: The Power and the Glory
Noise album of the year; gurning album of the year. Techno invented again.
9. Cuz: Tamatebako
The mighty Mike Watt teams up with the Go! Team’s Sam Dook and a varied crew of helpers for an album full of twists and turns, unexpected changes of direction and lots and lots of fun.
8. AK/DK: Synths + Drums + Noise + Space
Punk-rock-electro with bite, a gnarl, a sneer and a warm embrace. AK/DK injected energy into our booties, and made us gyrate with reckless abandon.
7. EMA: The Future’s Void
EMA’s follow up to Past Life Martyred Saints gave us a slew of concepts informed by William Gibson’s first novel – amongst other things; lots going on behind that Oculus Rift – and a whole load of great noises.
6. The Advisory Circle: From Out Here
A testament to the fact that end-of-year-lists are often published too early and hence would’ve missed this, Jon Brook’s incredible control of voltages and attuned minimalism has been rarely out of our ears since its release.
5. The New Mendicants: Into The Lime
Teenage Fanclub’s Norman Blake and Joe Pernice make an album with the all harmonies and glorious hooks you could hope for.
4. Trojan Horse: World Turned Upside Down
With this fully rounded offering it seems World Turned Upside Down has finally opened doors for the Salford boys. Ambitious as their facial hair, this album moved across genres, sounds and attitudes with bewildering speed and dexterity.
3. Plank: Hivemind
Intricate and intimate, majestic and magnificent, funky and fantastic, Plank’s ode to insect life crawled its way round our consciousness on many glorious occasions this year.
2. Grumbling Fur: Preternaturals
If we’d be on the ball (ha ha ha) last year’s Glynnaestra would have been in 2013’s Top 20. Grumbling Fur’s third album is a strangely euphoric slice of wyrd suburban pop, as the single ‘All The Rays’ makes very clear:
1. East India Youth: Total Strife Forever
Passages of electronic noise – by turns exhilarating, melancholic, furious – interspersed with proper pop songs. We both loved this. And great live, too.
In our bubbling under category this year: Dead Sea Apes High Evolutionary; Warning Light XXXI; Fennesz Bécs; Bob Mould Beauty & Ruin; The Hold Steady Teeth Dreams.
Now, please as to be so kind to stop reading our words and go buy some or all of the above albums. They are available from shops – independent ones, big shiny ones, online ones (who pay their tax), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too.
Rodney and Del Boy
It’s that time of year again – time to predict who’s going to make it next year. The BBC has released its Sound of 2015 list, the day after the Guardian preempted it with their own list; and yesterday the Blog Sound of 2015 list was released. This last list, organised by Robin Seamer and Andy Von Pip of Breaking More Waves and the Von Pip Express blogs, was designed as an alternative to the BBC ‘Sound of’ effort, and is voted for by music bloggers, including us here at Both Bars On. The longlist contains 15 acts, and the overall winner will be announced on the 2nd of January 2015.
The 15 most popular acts, in alphabetical order, were:
All We Are, Black Honey, Chloe Black, Coasts, Deers, Fickle Friends, Flyte, Halfrican, Honne, Lapsley, Prides, Shura, Soak, Sophie Jamieson, Tei Shi.
You can listen to all 15 acts on this Soundcloud playlist.
There has, of course, been some angst from the organisers and others about the longlist and its relationship with the BBC’s list. This is inevitable given the Blog Sound List was designed to be an alternative to the BBC’s list, which is inevitably affected by the industry’s own sense of who will be big next year (a self-fulfilling prophecy). You can read the Breaking More Waves and Von Pip Express posts on the list here and here, for example. But it strikes us that there’s a problem with seeing the Blog Sound as just ‘an alternative to the BBC Sound of 2015′, because bloggers are asked to “vote for their favourite acts, irrespective of chances of commercial success”. Given that 62 blogs took part but only 148 acts were chosen, there clearly was some overlap, so the longlist is a kind of consensus – bands who might be popular, if not famous, next year – because that’s what the BBC poll is all about. However another 133 acts received at least one vote but didn’t get longlisted, so it’s obvious these blogs are also picking stuff they really love.
As a result the Blog Sound longlist is two things: the emerging acts people may love but certainly expect to be popular, and the 133 others are the ones they just love. It’s this dual nature of the Blog Sound idea which is always going to make people worry/complain about the comparison with the BBC’s list, when they are and are not quite the same kind of thing.
Anyway. We certainly think it’s worth doing and applaud the organisers for their efforts, though as usual we picked bands that didn’t make the longlist, and our choices are not on the BBC list either. But we do love ’em:
1. The Drink, reviewed Monday, here playing ‘At the Weekend’ live earlier this year:
2. Trojan Horse, reviewed in October, with ‘Jurapsyche Park’:
3. Dead Sea Apes, reviewed in October, here with Black Tempest:
The Blogs that took part this year were:
17 Seconds, A New Band A Day, A Pocket Full Of Seeds, A World Of Music And Madness, Across The Kitchen Table, Alphabet Bands, Beat Surrender, Beat2aChord, Both Bars On, Brapscallions, Bratfaced LDN, Breaking More Waves, Brighton Music Blog, Daisy Digital, Dots And Dashes, Drunken Werewolf, Echoes and Dust, Electronic Rumors, Even The Stars, Everything Flows, Getintothis, God Is In The TV, Hearty Vibes, Hitsville UK, I Love Pie, Just Music That I Like, Kemptation, Like 1999, Lipstick Disco, Little Indie Blogs, Love Music : Love Life, Music Broke My Bones, Music Liberation, Music Like Dirt, My Day By Day Music, Never Enough Notes, Not Many Experts, Notes For A Road Sign, One Album A Week, Popped Music, Queen Beetch, Rave Child, Scientists Of Sound, Some Of It Is True, Song By Toad, Sounds Good To Me Too, Sound Of Now Music, Spectral Nights, Sweeping The Nation, The Blue Walrus, The Devil Has The Best Tuna, The Electricity Club, The Evening’s Empire, The Mad Mackerel, The Metaphorical Boat, The Paper Penguins, This Must Be Pop, Thoughts On Music, Three Beams, Too Many Blogs, The VPME, What If I Had A Music Blog.
Go and listen to the bands, and check out all of the blogs. And here’s hoping we’ll be asked to do it again next year.
This is a remarkably coherent record, which is slightly surprising given that it is a collection of three EPs issued this year and last, and that it demonstrates a very healthy eclecticism in terms of influences, sounds and rhythms. The sinuous melodies, woven from Dearbhla Minogue’s voice and guitar playing and Daniel Fordham and David Stewart’s lightfooted drumming and bass, are twisty but often irresistibly catchy, and the record – particularly opener ‘Microsleep’ – grabs your attention in the way all good pop music should. The songs dip and shift from genre to genre, including a lovely afrobeat section on ‘Playground’, and these dramatic changes of direction have encouraged reviewers to make comparisons with Deerhoof, perhaps prompted by Minogue’s pure, high, voice, or the Breeders, or Pixies. Not bad company to be keeping, if you’ll pardon the pun.
This blog was very keen on post-rock marvels Fighting Kites,who we reviewed here and elsewhere, and we’re very glad to see that Fordham and Stewart are keeping busy while the Kites are on a hiatus… having seen them live I can tell you that it would be a shame for such talented players to be idling their thumbs. Minogue, who is also in the Wharves, is equally gifted and her lyrics match the complexity of the songs. All in all, this is a surefire recipe – these twelve songs sound like they were recorded together, despite the differences between and within them, which suggests that alongside all that talent they have a remarkably clear vision of how the band is meant to sound.
Here’s hoping they take over the world.