Yes, that’s right dear reader: such was the overwhelming amount of top music this year we’ve given our end-of-year list a dose of max enlargement pills and extended it to a mighty top twenty.
Those that didn’t make this engorged run-down and hence reside in our honourable bubbling under category include: Swans – The Seer; Toy – Toy; Monolake – Ghosts; White Manna – White Manna; Easter – Innocence Man; Bass Clef – Reeling Skullways; Umberto – Night Has A Thousand Screams; The Eccentronic Research Council – 1612 Underture; and Mouse on Mars – Parastrophics.
A special mention goes to British Sea Power’s EPs 1-6. Well it wouldn’t be one of our lists without them, would it? If we could have counted these as one album it would have made the top five. Obviously.
So here it is, Merry Listmas. Everybody’s having fun (somewhere else).
20. Eat Light Become Lights – Heavy Electrics
19. Alexander Tucker – Third Mouth
18. White Hills – Frying On This Rock
17. Fanfarlo – Rooms Filled With Light
16. Wishmountain – Tesco
15. Drokk – Music Inspired by Mega-City One
14. Mugstar – Axis
13. Fighting Kites – Fighting Kites
12. Belbury Poly – The Belbury Tales
11. Euros Childs – Summer Special
10. Egyptology – The Skies
This analogue symphony had us frothing on about ancient astronauts and the geomancy of Giza back in July. It’s still taking us somewhere weird and wonderful. The best of the seemingly never-ending fascination with old synths and arpeggiators that pervades the world of electronica. Long may this fascination continue.
9. Deerhoof – Breakup Song
All over the shop, but in a good way, Deerhoof’s Breakup Song threw all kinds of idea together to make another off-kilter pop hit. Needs to be played loud.
8. Godspeed You! Black Emperor – ‘Allelujah! Don’t Bend! Ascend!
It came from nowhere, and nowhere on BBO will you find the review this album richly deserves. Yet it does exactly what you want a Godspeed! album to do, and then some. Colossal drones, magisterial builds and releases, and immense noise, all suffused with a politics for those that know.
7. Bill Fay – Life is People
Two astonishing albums at the start of the 1970s and then another one in 2012. The voice is warmer, but even more haunted, and Fay’s conviction still burns through as clearly as it ever has: “I personally need to believe that this world just can’t go on and on and on in the way that it goes.”
‘Be At Peace With Yourself’:
6. Beak > – >>
A marvellous pulsing head throb of analog musings and music from this threesome. Retro-futurism might not be a thing, but this sounds so extra-temporal we can’t help looking at the future through the past (and often vice-versa). If we had a record label of the year award it would probably go to Invada Records as well.
‘Mono’ (Ok, not technically on the album, but it’s a cracker):
5. Fang Island – Major
Like a cheeky-monkey off its bits on riffs. With shit-eating gurns and post-ironic chest bumps all round, Major is always there for the dark days and the light days. Simply…YES!
4. Plank! – Animalism
Owls and pigs. Owls, pigs and fighting ferrets. Animalism is nothing short of an extraordinary debut of Neu-proggish grooves and looped noodling and funk. Looked into the Owl’s eyes and agree. You now agree.
‘Dying for Pigs’:
‘King Rat I, II, III’:
3. Sweet Billy Pilgrim – Crown and Treaty
Prog, pop, country – Sweet Billy Pilgrim will do you an album containing all of those elements, and live they’ll throw in an a cappella version of ‘I Wanna Dance With Somebody’ just to keep you guessing. Crown and Treaty is the sound of a great, genuinely original, band still discovering what they’re capable of.
2. Bob Mould – Silver Age
Ignore those people who tell you this is a ‘return to form’ – the amazing thing about Bob Mould is not that he’s produced an album reminiscent of the best of the Sugar records, but that he’s been writing songs this good since the early 1980s.
1. Goat – World Music
The hype realised for once. An album that possesses you. We called it a transnational psyche agenda for the weird underground and we stand by these words. Syncretic brilliance. Stunning.
Det Som Aldrig Förändras/Diarabi:
A massive thanks to everyone who has supported us, read these ramblings and listened to anything we’ve recommended this year. You probably will never know how much we appreciate it.
jkneale and angrybonbon
[All of these lovely records are available from shops – independent ones, big shiny ones, online ones (who pay their tax), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too, so if you like any of this and haven’t already bought them, go on! They’ll be cheap by now]
It seems that the real cool kids on the blog don’t do end of year lists. Well we like them and hope that those miserable sods slip in their paper shoes and find other people’s dirty hankies in their bobble hats.
Those artists who will be sobbing into their pillows tonight because they didn’t quite make it onto our list include blistering aural adventures by: Wooden Shjips, Cave, Dead Skeletons, Eat Lights Become Lights, The Field, Moon Duo, Blanck Mass, Hills, Benjamin Shaw (sorry, Jamie), Gruff Rhys, Dels, White Denim, King Creosote & John Hopkins (robbed!), and Mike Watt.
So let’s get down to it boppers. In now traditional reverse order:
10. The Indelicates: David Koresh Superstar
How do you follow two great albums of bile and wit and proper pop songs? You make a concept album about the Waco siege, that’s what. Thoughtful and occasionally laugh-out-loud funny, the scope of this record – the research and understanding – made most of the year’s records seem pretty unambitious. jkneale treasures his lyric booklet.
Indelicates – ‘I Am Koresh’:
9. Parts & Labor: Constant Future
By the time this list is published Parts & Labor will have done their penultimate show before going on an ‘extended hiatus’. On the strength of Constant Future this ‘break’ should and must be stupidly short. Rock n’ roll needs forward thinking bands like Parts & Labor. We will miss them.
Parts & Labor – ‘Echo Chamber’:
8. Jonny: Jonny
Norman Blake of Teenage Fanclub joins forces with Gorky’s Euros Childs for thirteen songs of slightly off-kilter pop and gorgeous harmonies. “Could be in Mexico, could be Japan, could be in Fishguard with another man”. Sunshine on a rainy day, and jkneale’s most-listened to this year.
Jonny – ‘Circling The Sun’:
7. GNOD: INGNODWETRUST
Two songs equalling two assaults on all that is holy and sacred. A lesson in sonic desecration and sense fucking. GNOD can and will save us all.
GNOD – ‘Vatican’:
6. Pete and the Pirates: One Thousand Pictures
A dark horse this one. It’s here because of two killer singles heard on the radio and loved immediately – you know, like it’s still 1986 or something. Wriggling with earworms; jkneale has played this to death.
Pete and the Pirates – ‘Half Moon Street’:
5. The Advisory Circle: As The Crow Flies
The pinnacle of all that is deemed hauntological. Electronica that makes you misty eyed for all the things you thought you’d forgotten and thought that bored you in the first place. Remarkable.
The Advisory Circle – ‘Modern Through Movement’:
The Advisory Circle – ‘Learning Owl Reappears’:
4. EMA: Past Life Martyred Saints
This is on a lot of lists this year but that’s only right. BBO is old and grumpy enough to know hype when it sees it, and you could be forgiven for fearing a bit of that with EMA, but this is such a strong record. One of the live performances of the year, too (for both of us).
EMA – ‘Endless Nameless’:
EMA – ‘Angelo’:
3. Mogwai: Hardcore Will Never Die, But You Will
Are you over post-rock (or ‘hipster jazz’ as Jamie Audio Antihero has it)? Don’t let any of that nonsense stop you from listening to one of Mogwai’s best albums for some time. One of us saw them twice this year and is still twitching.
Mogwai – ‘Music For A Forgotten Future’:
Mogwai – ‘Mexican Grand Prix’:
2. White Hills: H-P1
Guttural glitter soaked sleaze, experimental guitar spanking, wheeling circling solos and pummelling interference: White Hills took what can be nominally called space rock and made it as mesmerising, hypnotic and intergalactic as you’d always it hoped it could be.
White Hills – H-p1 (Live at SXSW 2011):
White Hills – ‘The Condition of Nothing’:
1. British Sea Power: Valhalla Dancehall
At #1, the band who are pretty much guaranteed a place in our end of year lists every time they issue an album (see the 2009 and 2008 lists). This came out so long ago that you might have forgotten what a blast it is and how much we need bands like British Sea Power right now. It’s them or the book burning rats.
British Sea Power – ‘Who’s In Control?’ live at Westminster Reference Library:
British Sea Power – ‘Mongk II’:
We hope you like our likes and thanks to anyone who has read our mutterings this year.
Jkneale and Angrybonbon
[All of these lovely records are available from shops – independent ones, big shiny ones, online ones, ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too, so if you like any of this and haven’t already bought them, go on! They’ll be cheap by now]
Dear Sir/Madam. Please welcome your new Masters of the Universe, White Hills.
It might be that the force of our Hawk Lords is strong in this one but there is so much more to H-P1 than another trotting out of the Acid Space Rock formula. White Hills deserve this elevated status through a palpable striving for something different. ‘Movement’, for example, is the sound of a reverbed guitar being repeatedly smacked into submission and is a brave gesture for an album’s second track. Then there’s the ambience of ‘I Need to Know’ that segues into the sinister deep space noises of ‘Hand in Hand’, or the heavy tribal drums with crafted feedback of ‘Monument’. Elsewhere, White Hills add a sparkle of glam and sleaze to their space-rock – ‘Upon Arrival’ being the main case point.
White Hills know when to knock out a few gargantuan riffs and layer the guitars for maximum force – ‘The Condition of Nothing’ kicks things off in such a vain – and when to transform tension into pleasure through repetition. The most ear-grabbing tune is ‘Paradise’ – twelve minutes of intergalactic travel punctuated by the hiss of narrowly avoided space debris as you float in artificial amniotic gunk in a state of suspended animation (Look I like getting carried away with my space themes, ok?)
This is an album that shimmers and shines with ideas and class from start to finish. Bathe in its glorious light here.
The Condition of Nothing: