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Brainwashed Radio Podcast

nodcastAlong with the lovely chaps here at Both Bars On, the Brainwashed Radio Podcast has been a fantastic source of new music for me. My tastes could be said to have calcified in recent years, but a lot of the plaque has been shaken loose by this podcast. While I was riding the Transbay from Oakland to San Francisco every day, it was a regular accompaniment, and now that I’m taking the E12 from Al Reef via Yas Island, it’s back in rotation.

The format is pretty straightforward. The excellent host Jon Whitney gives just enough information about each piece of music, with a little bit of chat, but never enough to make me switch off (and believe me, it doesn’t take much). He will churn out a bunch of episodes in quick succession, then go quiet for months. But the episodes are about an hour long, often have great replay value, and the archives are quite extensive, with over 300 episodes so far. Plenty to dig into.

Brainwashed itself is a great thing and worth checking out – news, reviews, artist pages (including my beloved Meat Beat Manifesto), you name it, all under one digital roof.

Some of the artists that have appeared on the podcast are; Klara Lewis, Steve Hauschildt (new album coming soon – watch this space for review), Suicide, The Legendary Pink Dots, Broadcast, The Haxan Cloak, Factory Floor, the list goes on-‘n-on-‘n-on-‘n-on-‘n-on-‘n-on-‘n-on.

Have a listen.

matthewpetty

Both Bars On: Top 20 Records of 2013

Masters

2013, eh? Not Both Bars On’s favourite year, though the music kept us going. OK, so one of us (the soft southern one) slipped a bit, but we seem to have survived and have reached the end refreshed and ready for another year’s inappropriate email submissions.

So here are our Top 20 Albums of 2013, our fifth end of year list(!). It’s a strange mixture, even to our eyes: electronica, psych, songs with words and (gasp) tunes, slabs of noise, country & western. We point this out not to boast of our eclecticism but to remind you that this is no averaging out of the choices of a vast team of staffers – it’s the list of two blokes whose tastes overlap but who occasionally accuse each other of having cloth ears. Sorry to whisk the curtain away, but this is just what what we like. But we really like it. Hope you like some of it too. Merry Xmas!

In our bubbling under and reissues category we have: Billy Bragg – Life’s A Riot With Spy Vs Spy [30 year reissue]; Billy Bragg – Tooth & Nail; Savages – Silence Yourself; The Outer Church/Front&Follow compilation; Fresh Snow- I; The Indelicates – Diseases of England; The National – Trouble Will Find Me; and Chop – Illuminate.

And our top twenty is…

20. Café Kaput – Applied Music Vol​.​1: Science & Nature

Jon Brooks explores analogics with dutiful and masterful attention. Time to cover those textbooks with wallpaper.

19. Unknown Mortal Orchestra – II  

A lovely record of poppy, hook-filled, lo-fi psychedelia from Ruban Nielson and his Ffunny Ffrends.

18. Emptyset – Recur

An institution of grinding interference. Not for the feint-hearted.

17. Mogwai – Les Revenants

Mogwai’s soundtrack for the French TV series was appropriately chilly, but also a slight departure from their usual style; this track is great, but untypical of the album.

16. Whirling Hall of Knives – Devisions

Whirling and swirling maelstroms of joyfulness. A true ‘experience’ of an album.

15. Way Through – Clapper is Still

Pastoral punk postcards from somewhere a long way from Constable Country. Songs of loss for things we’d forgotten we once had.

14. Vision Fortune – Mas Fiestas con el Grupo Vision Fortune

Tension and repetition. Repetition and tension. Brilliant début.

13. Dawn McCarthy & Bonnie ‘Prince’ Billy – What The Brothers Sang

If you’d told us in January that one of our favourite albums of the year would be a set of covers of Everly Brothers’s songs we would have shown you the door. But they did write great songs and McCarthy and Oldham do them proud.

12. No Age – An Object

Randy Randall and Dean Spunt displayed a more controlled but still experimental sound on this record, which seems handtooled for the listening pleasure of at least one of us. Full album streamable here:

11. Gnod – Presents…Dwellings & Druss

A few fools decried Gnod’s move to solely electronics; at BBO terraces we put out the bunting. These Salford based maestros can do little wrong in our ears.

10. Il Sogno del Marinaio – La Busta Gialla

isdmlbg

Post-punk hero Mike Watt teamed up with Stefano Pilia and Andrea Belfi to write and record this album, and while the songs may have been quickly written and recorded, in the hands of these ace players they sound great.

9. Fuck Buttons – Slow Focus

Fuck-Buttons-Slow-Focus

It might not have had as much wide-screen weirdness as previous outings, but Slow Focus has enough innovation, sweeping gestures and unrepentant noise to pleasure us.

8. The Polyphonic Spree – Yes, It’s True

spree

It went awfully quiet there for a while – last proper album The Fragile Army came out in 2007 – but yes, it’s true – the Spree are back! And god we needed them – if you don’t need a shot of pure joy like this, then congratulations, you’ve had a better year than either of us.

7. Caitlin Rose – The Stand-In

C_Rose

The second album from the woman with a sweet voice and a broken heart. It’s not quite as consistently brilliant as the first album, but it’s still better than almost everything else in this list.

6. The Haxan Cloak – Excavation

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An absolute master class in darkness. Incredible nocturnal and necro-electronics. And the most intense and roof-shaking live experience to boot.

5. Superman Revenge Squad Band – There Is Nothing More Frightening Than The Passing Of Time

aah010

A very welcome return for SRS’ Ben Parker – one of the best lyricists of his generation – this time with a ‘big band’, some lovely new songs and re-recordings of old ones. The whole album is here:

4. Factory Floor – Factory Floor

factory-floor-factory-floor

Old-skool has never been so futuristic. Minimal explorations in sweat, mingling with four tons of tarnished glitter. Shut the fuck up and dance.

3. Boards of Canada – Tomorrow’s Harvest

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Beyond the ridiculously contrived build-up campaign, beyond the usual fanboy gushings and stupendous hype, Boards of Canada managed to produce an album that is pure electronica at its absolute finest. And hats are doffed to any band that will drive hundreds of miles to purchase a rare synth only for it to play a few notes across the whole album.

‘Cold Earth’ (unofficial video):

2. British Sea Power – Machineries of Joy

british-sea-power

The fifth album from the band who have been BBO’s fantasy band-in-residence since before there was a blog was intended to act as a counter to the grim realities of life in 2013, or as Yan put it “a nice game of cards in pleasant company”. It was much more than that, of course, because it also contained its fair share of adventures into the K Hole, and the band were pretty much at the peak of their powers live this year. We salute them.

‘Machineries of Joy’ [Radio Edit]:

1. Teeth Of The Sea – Master

Master

For the second year in a row a Rocket Recording’s product tops our chart. We got very excited when we reviewed it (leading to some wordy twaddle), but we stand by the sentiment we were trying to express. Master is an astounding lesson in genuinely innovative, yet carefully respectful and intelligent, rock music in its broadest definition. Magnificent.

‘Reaper’:

So there you go. As we said, we hope you found something here to enjoy and if not, we apologise for clogging your earholes.

Sometimes we can’t believe this blog is still going when so many have disappeared, but it is and will be for the foreseeable future. And the only reason we continue is because every now and again somebody somewhere says something nice about our wordy nonsense. We really, really appreciate all that continue to support us. Thank you.

Now bog off and buy some or all of the above albums.They are available from shops – independent ones, big shiny ones, online ones (who pay their tax), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too.

JKneale and angrybonbon

The Haxan Cloak: The Men Parted The Sea To Devour The Water

This is bloody brilliant. Or to put it in considerably more pretentious prose…

During the opening eight minutes of The Haxan Cloak’s latest, the computer screen, the keyboard and the sampler step up to replace the polished obsidian of old as a gilded host of celestial angels are scryed forth. Their post-Enochian communication seems intent on smothering and undermining any sense of rationality and reason you might hold and cherish. As this heavenly chorus gives way to the earthy and terrestrial rhythms of ritual drums, the voodoo priest, the shamanic traveller of worlds or some other representative of the occluded arts materialises.

Of course, the meaning of the Haxan Cloak’s message here is as opaque as that delivered by any milky-eyed bedraggled oracle. Yet as the peels of post-rave chimes engulf the work and that sound emerges – that incredible sound that leads to that ending – the uncertainty of meaning is only one of this album’s pleasures and delights.

This is sound engineering and invention of the highest order. Offer yourself to The Haxan Cloak here.

An excerpt:

And more:

The Haxan Cloak

Is it cold out? Do the nights still feel long and dark? Are you troubled by a sense of foreboding?

I missed this very fine album when it was released last year, and only really decided to hunt it down after the Quietus made it their #4 record of 2011. Bobby Krlic’s extraordinarily atmospheric record weaves together droning, rumbling strings, rattling percussion and the occasional haunting piece of choral singing (‘The Fall’, for example). There’s also lots of silence, the space in which the sounds happen.

The name, and the general feel and look of the record, have occult resonances, and you might expect something a bit more metal from the label (Aurora Borealis) – the first track is called ‘Raven’s Lament’, and the third is ‘Burning Torches of Despair’. Whatever you call it, this is an experimental record that sounds cold, scary and bewitching.

This music is chilling. Ben Frost, without the growling. Play loud, and listen carefully.

‘An Archaic Device’ – The Haxan Cloak – The Haxan Cloak

Buy from the label here

Jkneale

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