On first listen No Age’s An Object sounds more direct and less experimental than earlier albums. Many tracks, like the almost no wave ‘No Ground’, are sparse and relatively uncluttered, but in the background there are the usual drones, stutterings, and squalls of controlled feedback. The contrast between the relatively straight-ahead, structured songs and these aural meanderings works well, especially when the cello arrives on ‘An Impression’.
And that contrast does make some other tracks, like ‘I Won’t Be Your Generator’ or ‘C’mon Stimmung’, positively poppy – well, by No Age’s own standards.
Of course there are still dreamier, more expansive songs; the album closes with some lovely washes of sound on ‘Commerce, Comment, Commence’. When I say this record sounds less experimental, well, it’s all relative; there’s the usual mucking about with samples and recording effects that drew us to No Age in the first place. It’s just a little more controlled here, and it’s an interesting direction for Dean Spunt and Randy Randall to be taking. Looking forward to what comes next.
No Age’s Sub Pop page is here; you can buy An Object there and at the usual places, and you should.
We used a spreadsheet this year. Yes, a bloody spreadsheet.
It’s still not a perfect representation of what was an excellent year for music or, in fact, what we individually valued, but it will have to do. And at least we arrived at a top ten rather than the fudge of a top four we presented to you, adoring reader(s), this time last year.
Residing in the bubbling under category for 2010 were cracking albums by: The Hold Steady, Titus Andronicus, Holy Fuck, Wavves, Silver Mt Zion, The Divine Comedy, To Rococo Rot, Gold Panda, Thomas White, The Phantom Band, and Wooden Shjips.
Which – when we look at it – is a pretty amazing set of also-rans. It was a good year for music, like we said. Here’s a Spotify playlist of (nearly) all the artists we loved from 2010.
And the honourable reissues were:
Nosferatu D2 – We’re Gonna Walk Around This City With Our Headphones On To Block Out The Noise. If this had been released this year it would have been in our collective top 20. It’s brilliant.
The Wonder Stuff – Hup (21st Anniversary Edition). More of a remake than a reissue, but still a pile of beautiful bile and hoe-down pop silliness.
And now, in reverse order for the sheer hell of it, here’s our top ten of ’10:
10. Drum Eyes: Gira Gira
Cloaks on! Enormous squelchy head-nodding sounds from DJ Scotch Egg and team. Engaging, mesmerising, sounds ace really really loud.
9. Four Tet: There Is Love In You
Kieran Hebden – one of Putney’s finest exports – leaves the folktronica to one side and steers a rewardingly wobbly path between the tricksy and the tuneful. Consistently rewarding.
8. Mugstar: …Sun, Broken…
Space-rock for the now age. Gloriously large riffage and droned workouts that eat your ears.
7. The European: In a Very Real Sense Now
Deserves a proper review, really, and it might just get one before the end of the year. Simon Break writes tunes your postman could whistle and lyrics than are still making us laugh eight months after we first heard them. Proper pop for the not easily pleased.
6. The National: High Violet
After a good deal of excited waiting we got something like the album we were waiting for. Something of a breakthrough/crossover album, though the production arguably blunted some of the charm. When it worked – particularly on ‘Bloodbuzz Ohio’ – it made you think there was hope for this big indie band thing after all.
5. Fang Island: Fang Island
A refreshing lack of po-faced sincerity, this record is a joy from start to finish. If you can’t smile to and with this record there’s something wrong with you and the world.
Life Coach – Fang Island
4. Teenage Fanclub – Shadows
Baby Lee – Teenage Fanclub
3. I Like Trains – He Who Saw the Deep
Not-so-difficult second album helped out by fan pledges – definitely one of the best ways of getting round the problem of making music pay for itself. Still doing an excellent job at the point on the Venn diagram where songs and post-rock meet, with Guy Bannister’s voice more than holding up against the swelling guitars and drums. Wonderful.
Progress is a Snake – I Like Trains
2. Teeth Of The Sea – Your Mercury
An album that re-instates your faith that the musically new is possible after all. Properly disquieting, epic and expansive, TOTS push at barriers you didn’t realise existed until they’re collapsing around your head. We love ’em.
You’re Mercury – Teeth of the Sea
1. No Age – Everything In Between
Abstract interludes, all out DIY two-chorders, angsty beauty and everything in between. A truly staggering achievement of tortured guitars, noise and harmonies. We both saw them live this year and were left grinning like shit-eating tortoises. Marvellous.
Shed and Transcend – No Age
We hope you enjoyed. Merry Christmas. And see you soon.
Jkneale and angrybonbon
[All of these lovely records are available from shops – independent ones, big shiny ones, online ones, ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too, so if you like any of this and haven’t already bought them, go on! They’ll be cheap by now]
The physical form of No Age’s third album might be a little starker and simpler than the extraordinarily beautiful packaging for Nouns – and if you only downloaded it you’re missing out – but the music within the black and white sleeve is still a rich treat for heart and mind alike. Everything in Between sounds like a more confident, coherent album than Nouns, though it seems to have had a long and difficult gestation; perhaps it just sounds like they’ve really worked out what it is they want to do. It’s beautifully produced, which brings out the instrumental and experimental elements. The songs between these washes of sound remind me of a whole host of post-hardcore bands – early Dinosaur Jr, Sonic Youth, a little Black Flag – because they manage to sound poppy, punky and experimental simultaneously.
Despite this, and the fun I had watching the crowd-surfing at the Grosvenor in August, No Age are nothing like a guilty pleasure. This album sounds so current – if anything they should have released it earlier in the year, it’s a great summer record – that I don’t feel in the least bit like I’m succumbing to nostalgia. I suspect this will be in my end-of-year list. And if you can, go and see them before they leave the UK again.
‘Fever Dreaming‘ – No Age – Everything in Between
‘Valley Hump Crash‘ – No Age – Everything in Between