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Both Bars On: Top Thirty Records of 2016

turkeys-marching-fade-2.jpgWelcome to our eighth best-of-the-year list, and our second as a crack team of four. It’s patently obvious that 2016 has been thoroughly rubbish*, but at least we’ve had plenty of good music to set against the headlines, bowings-out and splittings-up. The compilation of our Top Thirty Records of 2016 was less painful than usual too, the smooth working of one well-oiled machine (we call him Pete). Still, those of you who come back every year will see that despite the neatness of the electoral process the list shows the usual surfeit of eclecticism.

So we invite you to view our shiny baubles, our fresh and seasonal produce. Not a turkey to be seen, apart from the four above. See you in 2017 – at the very least it won’t be 2016. Cheers!

(*although angrybonbon got married to the love of his life, so 2016 wasn’t all bad for everyone. Cheers!)

In the bubbling under category: Apostille: Virile Strain Transmission; The Belbury Poly: New Ways Out;  Bob Mould: Patch the Sky; Weaves: Weaves; Radar Men From The Moon: Subversive II: Splendor of the Wicked; Ben Chatwin: Heat & Entropy; Steve Hauschildt: Strands; Hen Party: Glitter Sweats.

Reissues: Sweet Billy Pilgrim: We Just Did What Happened and No One Came

The Top Thirty:

30. Galcid: Hertz

29. Ogre & Dallas Campbell: Night of the Living Dead (Original Motion Picture Rescore)

28. Peter Baumann: Machines of Desire

27. Mugstar: Magnetic Seasons

26. Factory Floor: 25 25

25. Vanishing Twin: Choose Your Own Adventure

24. Barberos: Barberos

23. Goat: Requiem

22. Opeth: Sorceress

21. John Carpenter:Lost Themes II

20. Go March: Go March

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Add Go March to your list of famous Belgians as this Antwerp band lay out a striking debut of spiky motorik and krautrock.

19. Juan Atkins & Moritz Van Oswald: Transport

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Two of the heavyweights of techno come together as Borderland to produce the deepest beats and phasing loveliness.

18. Yak: Alas Salvation

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Fearsome guitar noises, shouting, tunes. Victorious!

17. Grumbling Fur: FurFour

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Mind-expanding pop music, featuring biblical patriarchs from outer space.

16. The Heartwood Institute: Calder Hall: Atomic Power Station

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Sizzling with radioactivity, the polymath that is The Heartwood Institute delivers a beautiful slice of electro-hauntology.

15. The Pineapple Thief: Your Wilderness

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Somerset’s greatest prog band return to form with King Crimson/Porcupine Tree drummer Gavin Harrison along for the ride.

14. Teleman: Brilliant Sanity

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The second collection of slightly wonky but brilliant pop songs from a band who seem to be able to produce them without breaking a sweat.

13. Thee Oh Sees: A Weird Exits

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San Francisco psych rockers manage what looks like a crossover smash on their first of their two records for 2016.

12. The Mortlake Bookclub: Exquisite Corpse

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The only soundtrack you need for the Folk Horror Revival. Four movements of palimpsest drone that both spooks and moves.

11. Martha: Blisters in the Pit of my Heart

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Reminds you it’s still possible to do quite a lot with the raw materials associated with ‘punk’ & ‘pop’ if you’re as smart and lively as this lot are.

10. worriedaboutsatan: Blank Tape

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Brooding, ambient electronica and hypnotic atmospheric rhythms. Antoher top class album from this duo to follow last years’s Even Temper.

9. Posthuman: Back to Acid

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12 tracks of caustic pleasure, from the robotic march of ‘Six Hundred’ to the delicious twang of ‘Beat Down’, via the excellent atmospheric throbber ‘Mezzotint’. I’ve said it before, Acid House is the new Dad Music.

8. Warning Light: Life Death Suite EP

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Entrancing clatter and looping tones as a taster for the full album.

7. Teenage Fanclub: Here

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It’s been six years since the last one, but the Fannies shine just as brightly as they ever did.

6. A Year in the Country: The Quietened Bunker

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Nothing quite says 2016 like a compilation album on the theme of abandoned cold war structures and bunkers, because underground is where we’ll all be living soon after the nuclear button gets pressed. Unsettling drone, snatched samples, glitched beats and claustrophobic synths; it’s all here.

5. Meilyr Jones: 2013

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So rich, extravagant, and strange that it sounds like a ‘best of’ album covering several years in an artist’s life; no single track can do it justice but this will do fine here:

4. Voyag3r: Are You Synthetic?

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The perfect SF adventure album. From laser duels on frozen planets to war rockets being dispatched to Ajax, this album oozes class and sophistication whilst not taking itself too seriously. It’s the sound of a band having stupid amounts of fun and tracking ‘Flash Gordon On Ice: the Musical’ whilst they’re doing it. Utterly brilliant.

3. Gnod: Mirror

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Our Salfordian troubadours picked up the guitars (or banjos as they like to call them) once again and proved why they lead the pack when it comes to enveloping sludge, resistant noise and all-consuming terror.

2. Matmos: Ultimate Care II

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Two men, one washing machine and one track. Every sound made from said cleaning device. From intimate glitch to all-out pounding techno. Too see this live, replete with the machine, was to marvel at the wonder and genius that is Matmos. Amazing.

1. Oscillotron: Cataclysm

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The purest and deepest space music. Cosmic kosmische of the highest order. An album that let us take flight and escape the hideousness of this worldly reality, especially as it unfolded this year. Transcendental.

 

So you can do yourself a big end-of-the-year favour and go buy some or all of the above albums. They are available from shops and sites – independent ones, big shiny ones, online ones (who pay their taxes), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too.

Merry Xmas and a happy Newest Year one and all.

angrybonbon, JKneale, matthewpetty & Pete Collins

Oscillotron: Cataclysm

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Swedish metal is not something we cover here at BBO terraces. However, when one of said fraternity – in this case David Johansson, front-man of KONGH – delivers a beautifully menacing six tracks of synthscapes, you take note.

The wonder of this album, as with most horror-synth workouts, lies in its affective simplicity: many tracks are constructed through uncomplicated leads dancing with grace across foreboding swirls of sound. The stunning ‘Pioneers’ illustrates this perfectly with eddying and airy melodies giving way to eldritchian peril with real bravura. Three note leads evolve with ominous resonance, as siren-call chords warn of some hideous transformation of matter on ‘Mutation’. And the delightful choral eeriness and zombie pacings of ‘Terminal’ and ‘Cataclysm’ can only spell creeping fear.

Four years on from the also brilliant first album Eclipse, Oscillotron’s return seems to be immensely well-timed: John Carpenter playing ATP in Iceland in July and touring later in the year; Goblin performing their soundtracks live; and the likes of Ubre Blanca, Umberto and Zombi in our midst – this is a very good time to be a fan of the horror-synth nexus.

Buy Cataclysm here (from May 27th or pre-order now). Do it now before some killer virus lays us all to waste.

You’ve been warned.

Both Bars On: Top Thirty Records of 2015

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2015. Our seventh end of year list, this time augmented by our two new writers, Matt and Pete. Which means double the confusion and argument, though actually our choices overlapped more than usual. Sort of. Anyway, you don’t need to know about the infighting, gerrymandering and filibustering that went on behind the scenes – someday it will make a great film but now you just want to know about the List, right?

This year it’s our top thirty records, to fit in all the choices of the four of us. It’s an eclectic mix, though it has the signature BBO elements you have come to know and love – well, OK, know and shake your head over while muttering “you boys”. In a disappointed way. But it’s very definitely us – the new, improved, BBO us.

Feast your mince pies on this little lot.

In the bubbling under category: Downtown Boys: Full Communism; King Khan and BBQ Show: Bad News Boys; Dead Sea Apes: Spectral Domain; Thomas Brinkmann: What You Hear (Is What You Hear).

Reissues: British Sea Power: Decline of British Sea Power; Super Furry Animals: Mwng

30. HOX: Duke of York

29. White Hills: Walks For Motorists

28. Het Droste Effect: Soar

27. Container: LP

26. Steve Hauschildt – Where All Is Fled

25. GNOD: Infinity Machines

24. Tim Bowness: Stupid Things That Mean The World

23. Girl Band: Holding Hands With Jamie

22. Diebenkorn: Magnox

21. Bad Guys: Bad Guynaecology

20. Pega Monstro: Alfarroba 

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Distortion, zippy tunes and reflective scuzzy ambience from Lisbon’s Julia and Maria Reis.

19. KoMaRa: KoMoRa

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Industrial drumming, dark riffs and atmospheric noises; it is truly, in the bands own words, a “dark, deviant and explicit detective story”.

18.  Sufjan Stevens: Carrie and Lowell

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Heartbreaking, immmensely affecting songwriting, bringing beauty out of sorrow.

17. Outblinker: Pink/Blue

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Menacing but ecstatic, juddering but groovy, starting small but ending huge, you could dance to it, but you wouldn’t in public.

16. Evan Caminiti: Meridien

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Drones, crackling static, dark pulses and minimal percussive elements – a horror soundtrack for a post apocalyptic landscape.

15. Sauna Youth: Distractions

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As we said, “Short sharp post-punk pop songs, propelled by insistent no wave guitars”, and more besides.

14. Orlando & Tomaga: Play Time: Music for Video Games

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Out in the space forest, the neon frogs are looking for romance to a bossanova beat, before boarding the interstellar cruise – but the slomo robo crew are still marching over the tarmac, nodding and calling to themselves as they come.

13. Ultimate Painting: Green Lanes

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On very heavy rotation at the London office this year, this is guitar music full of pop hooks and irresistible harmonies.

12. Godspeed You! Black Emperor: Asunder, Sweet And Other Distress

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Decried by some, celebrated herein, this album rekindled our love of the Montreal titans (and was semi-religious performed live).

11. British Sea Power: Sea of Brass

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Performed by BSP and a full brass band, these songs become something completely different, capturing something of the live spectacle.

10. Heroin in Tahiti: Sun and Violence

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Well this came from seemingly nowhere, but was a stunning tour-de-force that left us partly uplifted and partly disturbed.

9. Titus Andronicus: The Most Lamentable Tragedy 

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A rock opera about manic depression and um I don’t know in five acts, this is also a collection of exactly the kind of rabble-rousing songs you were hoping for from one of the smartest and most interesting guitar bands in America.

8. Steven Wilson: Hand. Cannot. Erase.

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A huge brooding slab of a concept album, about a woman who chooses to disconnect from society in a big city and whose disappearance goes unnoticed. Wilson’s output is getting better and better with each album.

7. Parastatic: Recall Fade Return

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Reverby twangy echoey tuney goodness, with a beat that cries out to be drummed on the steering wheel over the Pennines.

6. Adderall Canyonly: Beneath The Crystal Canyon A Spark Remains

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Adderall Canyonly has practically owned 2015. Stupidly prolific, it was between this and Museum of Fire as a pick for our list. Beneath The Crystal Canyon A Spark Remains reveals an almost sickening level of talent.

 

5. Du Blonde: Welcome Back to Milk

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Power ballads, anger, music-hall silliness, tenderness – Beth Jeans Houghton’s incredible voice made it all sound so natural. An unexpected best of the year for one of us.

4. Zombi: Shape Shift

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Living fully up to the hyped expectations, Shape Shift kept the funked horror and progressive rhythms. They’ve never sounded tighter and more exciting. And that last track, ‘Siberia II’…Oh. My/Our. Word!

3. John Carpenter: Lost Themes

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The master returns. There was much excitement from at least half of BBO when John Carpenter’s first ever non-soundtrack album was released, and the lack of a film to tie these songs to doesn’t detract from Carpenter’s ability to terrify and amaze us in equal measures with his signature horror sounds. A simply sublime album.

2. Ubre Blanca: The Sadist

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Horror theme this year? You betcha phantasmagoric bits there is! This Glaswegian duo simply blew us away with their Occult rock and spooked atmospheres. Incredible release and no mistake.

1. Teeth of the Sea: Highly Deadly Black Tarantula

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They did it in 2013 with Master and they’ve taken our highly prized top spot again. With HDBT, Teeth of the Sea retained something of their former selves but evolved into something more cerebral, yet guttural, sweaty and appealingly disfigured. As all truly great albums do, it just gets better and better with every listen. Brilliant. Really and actually, very brilliant.

 

So you can do yourself a big end-of-the-year favour and go buy some or all of the above albums. They are available from shops and sites – independent ones, big shiny ones, online ones (who pay their taxes), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too.

Merry Xmas and a happy Newest Year one and all.

angrybonbon, JKneale, matthewpetty & Pete Collins

For Hallowe’en

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At least one half of BBO is a friend of the darkness, and as such we always like to celebrate that time variously known as All Hallow’s Eve, Samhain, Hop-tu-naa, Nos Galan Gaeaf, Blodmonath or Goth Xmas. So here’s a series of tracks and mixes for you to welcome in nature’s dying, celebrate, nay, mock the forces of evil, and don a crepuscular countenance.

Firs up two slices of horror disco from the ever brilliant label Giallo Disco Records:

More horrific synths are conjured in this by Black Manna, and are coupled by chants and monstrous screams:

And now we launch into the depths of cosmic horror replete with the ever-haunting Theramin, via Australia and the aptly named The Night Terrors:

Next up a radiophonic collage replete with recordings from (in)famous British poltergeist cases:

We move on to the product of two very disturbed psyches in the form of Zirkus:

And finally, a stunningly creepy mix from that occult experimentalist and psychogeographer, Melmoth the Wanderer. If you listen to one thing from this post, make it this:

And what would our Hallowe’en post be without some dodgy Goff? Don’t answer that. Watch this instead:

Marvellous. Now go get spooked.

Dead but dreaming…

Here at BBO we like a bit of All Hallow’s Eve, Samhain or Hop-tu-naa. We like it when the veil thins between this and the other world. So grab a bit of Machen, Blackwood, Le Fanu or Lovecraft, close the curtains, light the candles and wrap your ears round these.

Oh, and if any young guttersnipe comes ringing to trick or to treat, invite them in and read this article (in its entirety) to give them some historical perspective on their misdoings. They might not leave with ‘candy’, but you will have learned them something.

Fantômas – Rosemary’s Baby

Misfits – Halloween

The Birthday Party – Release the Bats

Black Sabbath – Black Sabbath

Fantômas – The Devil Rides Out (Remix)

John Carpenter – Halloween (Main Theme)

Alexander Tucker – SuperherderFurrowed Brow

angrybonbon and JKneale

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