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Both Bars On: Top 10 Records of 2010

We used a spreadsheet this year. Yes, a bloody spreadsheet.

It’s still not a perfect representation of what was an excellent year for music or, in fact, what we individually valued, but it will have to do. And at least we arrived at a top ten rather than the fudge of a top four we presented to you, adoring reader(s), this time last year.

Residing in the bubbling under category for 2010 were cracking albums by: The Hold Steady, Titus Andronicus, Holy Fuck, Wavves, Silver Mt Zion, The Divine Comedy, To Rococo Rot, Gold Panda, Thomas White, The Phantom Band, and Wooden Shjips.

Which – when we look at it – is a pretty amazing set of also-rans. It was a good year for music, like we said. Here’s a Spotify playlist of (nearly) all the artists we loved from 2010.

And the honourable reissues were:

Nosferatu D2 – We’re Gonna Walk Around This City With Our Headphones On To Block Out The Noise. If this had been released this year it would have been in our collective top 20. It’s brilliant.

The Wonder Stuff – Hup (21st Anniversary Edition). More of a remake than a reissue, but still a pile of beautiful bile and hoe-down pop silliness.

And now, in reverse order for the sheer hell of it, here’s our top ten of ’10:

10. Drum Eyes: Gira Gira

Cloaks on! Enormous squelchy head-nodding sounds from DJ Scotch Egg and team. Engaging, mesmerising, sounds ace really really loud.

9. Four Tet: There Is Love In You


Kieran Hebden – one of Putney’s finest exports – leaves the folktronica to one side and steers a rewardingly wobbly path between the tricksy and the tuneful. Consistently rewarding.

8. Mugstar: …Sun, Broken…


Space-rock for the now age. Gloriously large riffage and droned workouts that eat your ears.

7. The European: In a Very Real Sense Now

Deserves a proper review, really, and it might just get one before the end of the year. Simon Break writes tunes your postman could whistle and lyrics than are still making us laugh eight months after we first heard them. Proper pop for the not easily pleased.

6. The National: High Violet

After a good deal of excited waiting we got something like the album we were waiting for. Something of a breakthrough/crossover album, though the production arguably blunted some of the charm. When it worked – particularly on ‘Bloodbuzz Ohio’ – it made you think there was hope for this big indie band thing after all.

5. Fang Island: Fang Island

A refreshing lack of po-faced sincerity, this record is a joy from start to finish. If you can’t smile to and with this record there’s something wrong with you and the world.

Life Coach – Fang Island

4. Teenage Fanclub – Shadows

Scottish pop classicists make a welcome return with their best album for quite some time – perhaps since 1997 – and reduce men of a certain age to snuffling, beaming wrecks.

Baby Lee – Teenage Fanclub

3. I Like Trains – He Who Saw the Deep


Not-so-difficult second album helped out by fan pledges – definitely one of the best ways of getting round the problem of making music pay for itself. Still doing an excellent job at the point on the Venn diagram where songs and post-rock meet, with Guy Bannister’s voice more than holding up against the swelling guitars and drums. Wonderful.

Progress is a Snake – I Like Trains

2. Teeth Of The SeaYour Mercury


An album that re-instates your faith that the musically new is possible after all. Properly disquieting, epic and expansive, TOTS push at barriers you didn’t realise existed until they’re collapsing around your head. We love ’em.

You’re Mercury – Teeth of the Sea

1. No Age – Everything In Between

Abstract interludes, all out DIY two-chorders, angsty beauty and everything in between. A truly staggering achievement of tortured guitars,  noise and harmonies. We both saw them live this year and were left grinning like shit-eating tortoises. Marvellous.

Shed and Transcend – No Age

We hope you enjoyed. Merry Christmas. And see you soon.

Jkneale and angrybonbon

[All of these lovely records are available from shops – independent ones, big shiny ones, online ones, ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too, so if you like any of this and haven’t already bought them, go on! They’ll be cheap by now]


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Four Tet: There Is Love In You.

This review could probably be done very briefly – ‘beautiful’ – but this would do a disservice to the excellence of Four Tet’s There Is Love In You.

Glistening with delicate and fragile harmonies, both electronic and acoustic, but with a danceable dynamic underpinning each tune, in one sense this is a simple album.  Yet the more you pay attention to the craft of There Is Love In You the more you realise that creating simplicity takes incredible effort and endeavour. Take ‘Circling’ as indicative: after a shimmering loop infects a sense of serenity, a sampled vocal briefly rises to tantalise and shift your perspective only for the track to end and leave you wondering. Elsewhere these vocals take a more central role (most successfully on openers ‘Angel Echoes’ and ‘Love Cry’) and bring to mind the splendour of Orbital and most obviously ‘Halcyon (+ On + On)’.

The funk comes through the minimalist jack pervading ‘Sing’, whilst ‘Plastic People’ weaves Burial’s dubstep with that reverberated resonance that Aphex expertly traded on Selected Ambient Works. And a sense of the precarious nature of the machines orchestrated to produce the fragile sounds is not lost either: a glitch here and some static hum there reminds you that it could all easily fall apart and become something so much more dissonant and so much less gleaming.

You might have guessed by now, but this album is highly recommended.

It’s available widely, but here is independent.

Circling

Plastic People

angrybonbon

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