We used a spreadsheet this year. Yes, a bloody spreadsheet.
It’s still not a perfect representation of what was an excellent year for music or, in fact, what we individually valued, but it will have to do. And at least we arrived at a top ten rather than the fudge of a top four we presented to you, adoring reader(s), this time last year.
Residing in the bubbling under category for 2010 were cracking albums by: The Hold Steady, Titus Andronicus, Holy Fuck, Wavves, Silver Mt Zion, The Divine Comedy, To Rococo Rot, Gold Panda, Thomas White, The Phantom Band, and Wooden Shjips.
Which – when we look at it – is a pretty amazing set of also-rans. It was a good year for music, like we said. Here’s a Spotify playlist of (nearly) all the artists we loved from 2010.
And the honourable reissues were:
Nosferatu D2 – We’re Gonna Walk Around This City With Our Headphones On To Block Out The Noise. If this had been released this year it would have been in our collective top 20. It’s brilliant.
The Wonder Stuff – Hup (21st Anniversary Edition). More of a remake than a reissue, but still a pile of beautiful bile and hoe-down pop silliness.
And now, in reverse order for the sheer hell of it, here’s our top ten of ’10:
10. Drum Eyes: Gira Gira
Cloaks on! Enormous squelchy head-nodding sounds from DJ Scotch Egg and team. Engaging, mesmerising, sounds ace really really loud.
9. Four Tet: There Is Love In You
Kieran Hebden – one of Putney’s finest exports – leaves the folktronica to one side and steers a rewardingly wobbly path between the tricksy and the tuneful. Consistently rewarding.
8. Mugstar: …Sun, Broken…
Space-rock for the now age. Gloriously large riffage and droned workouts that eat your ears.
7. The European: In a Very Real Sense Now
Deserves a proper review, really, and it might just get one before the end of the year. Simon Break writes tunes your postman could whistle and lyrics than are still making us laugh eight months after we first heard them. Proper pop for the not easily pleased.
6. The National: High Violet
After a good deal of excited waiting we got something like the album we were waiting for. Something of a breakthrough/crossover album, though the production arguably blunted some of the charm. When it worked – particularly on ‘Bloodbuzz Ohio’ – it made you think there was hope for this big indie band thing after all.
5. Fang Island: Fang Island
A refreshing lack of po-faced sincerity, this record is a joy from start to finish. If you can’t smile to and with this record there’s something wrong with you and the world.
Life Coach – Fang Island
4. Teenage Fanclub – Shadows
Baby Lee – Teenage Fanclub
3. I Like Trains – He Who Saw the Deep
Not-so-difficult second album helped out by fan pledges – definitely one of the best ways of getting round the problem of making music pay for itself. Still doing an excellent job at the point on the Venn diagram where songs and post-rock meet, with Guy Bannister’s voice more than holding up against the swelling guitars and drums. Wonderful.
Progress is a Snake – I Like Trains
2. Teeth Of The Sea – Your Mercury
An album that re-instates your faith that the musically new is possible after all. Properly disquieting, epic and expansive, TOTS push at barriers you didn’t realise existed until they’re collapsing around your head. We love ’em.
You’re Mercury – Teeth of the Sea
1. No Age – Everything In Between
Abstract interludes, all out DIY two-chorders, angsty beauty and everything in between. A truly staggering achievement of tortured guitars, noise and harmonies. We both saw them live this year and were left grinning like shit-eating tortoises. Marvellous.
Shed and Transcend – No Age
We hope you enjoyed. Merry Christmas. And see you soon.
Jkneale and angrybonbon
[All of these lovely records are available from shops – independent ones, big shiny ones, online ones, ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too, so if you like any of this and haven’t already bought them, go on! They’ll be cheap by now]
Drum Eyes are a collective of kraut-psyche-noise-vendors including the ex-drummer of The Boredoms and the wonderfully named DJ Scotch Egg (Shigeru Ishihara). They’ve been on the same bill as Teeth of the Sea, Ishihara has shared a record label (Load Records) with Lightning Bolt and Gira Gira (their first album) is out on Upset the Rhythm’s label who, by the accounts of me colleague, put on some bloody good nights in that there London. Hopefully this description functions to locate them and hints at a quality product – which it very much is.
Opener ‘50-50’, after some analogue-oscillations, erupts with a long phased drum roll that gives way to a series of bombastic proggy crashes that in turn gives out to a freak-out of digital noise. ‘Future police’ has a deceptively sugary Kraftwerk melody underpinned by menacing swirls that hint at and are fully realised in the next and complimentary track ‘Future Yakuza’ which is all doom-dirge-sludge riffage and stomp. ’13 Magician’ reveals multiple snake-charmers raising and hypnotising something gruesome alongside another a distorted rhythmic trudge. After that the dub and drift of final track ‘Hana B’ is only the sweeter.
This is going to be up there with Fang Island, Mugstar and Holy Fuck in my 2010 list for sure. Get yours here.