Post Tangent is a charity compilation supporting CalAid, a group of volunteers collecting for the Calais refugee camps. The compilation seems to have been set up by some of the bands playing the ArcTangent festival in Bristol last month, so it’s essentially 32 tracks of post-, math-, noise-, glitch- and drone-rock.* BBO favourites Deerhoof are as full of beans as ever on ‘Kuma Kita’:
And the last track, the more contemplative ‘What We Talk About When We Talk About Love,’ comes from the brilliantly named He Was Eaten By Owls (who were new to me but are well worth investigating):
I don’t know anything more about this compilation beyond what’s on Deerhoof’s facebook page, but it’s definitely worth buying – excellent music for a very good cause. The Bandcamp page is here and it’s £4 or more. You could always donate to CalAid too, here.
* do you like that hyphenated rock?
Yes, that’s right dear reader: such was the overwhelming amount of top music this year we’ve given our end-of-year list a dose of max enlargement pills and extended it to a mighty top twenty.
Those that didn’t make this engorged run-down and hence reside in our honourable bubbling under category include: Swans – The Seer; Toy – Toy; Monolake – Ghosts; White Manna – White Manna; Easter – Innocence Man; Bass Clef – Reeling Skullways; Umberto – Night Has A Thousand Screams; The Eccentronic Research Council – 1612 Underture; and Mouse on Mars – Parastrophics.
A special mention goes to British Sea Power’s EPs 1-6. Well it wouldn’t be one of our lists without them, would it? If we could have counted these as one album it would have made the top five. Obviously.
So here it is, Merry Listmas. Everybody’s having fun (somewhere else).
20. Eat Light Become Lights – Heavy Electrics
19. Alexander Tucker – Third Mouth
18. White Hills – Frying On This Rock
17. Fanfarlo – Rooms Filled With Light
16. Wishmountain – Tesco
15. Drokk – Music Inspired by Mega-City One
14. Mugstar – Axis
13. Fighting Kites – Fighting Kites
12. Belbury Poly – The Belbury Tales
11. Euros Childs – Summer Special
10. Egyptology – The Skies
This analogue symphony had us frothing on about ancient astronauts and the geomancy of Giza back in July. It’s still taking us somewhere weird and wonderful. The best of the seemingly never-ending fascination with old synths and arpeggiators that pervades the world of electronica. Long may this fascination continue.
9. Deerhoof – Breakup Song
All over the shop, but in a good way, Deerhoof’s Breakup Song threw all kinds of idea together to make another off-kilter pop hit. Needs to be played loud.
8. Godspeed You! Black Emperor – ‘Allelujah! Don’t Bend! Ascend!
It came from nowhere, and nowhere on BBO will you find the review this album richly deserves. Yet it does exactly what you want a Godspeed! album to do, and then some. Colossal drones, magisterial builds and releases, and immense noise, all suffused with a politics for those that know.
7. Bill Fay – Life is People
Two astonishing albums at the start of the 1970s and then another one in 2012. The voice is warmer, but even more haunted, and Fay’s conviction still burns through as clearly as it ever has: “I personally need to believe that this world just can’t go on and on and on in the way that it goes.”
‘Be At Peace With Yourself’:
6. Beak > – >>
A marvellous pulsing head throb of analog musings and music from this threesome. Retro-futurism might not be a thing, but this sounds so extra-temporal we can’t help looking at the future through the past (and often vice-versa). If we had a record label of the year award it would probably go to Invada Records as well.
‘Mono’ (Ok, not technically on the album, but it’s a cracker):
5. Fang Island – Major
Like a cheeky-monkey off its bits on riffs. With shit-eating gurns and post-ironic chest bumps all round, Major is always there for the dark days and the light days. Simply…YES!
4. Plank! – Animalism
Owls and pigs. Owls, pigs and fighting ferrets. Animalism is nothing short of an extraordinary debut of Neu-proggish grooves and looped noodling and funk. Looked into the Owl’s eyes and agree. You now agree.
‘Dying for Pigs’:
‘King Rat I, II, III’:
3. Sweet Billy Pilgrim – Crown and Treaty
Prog, pop, country – Sweet Billy Pilgrim will do you an album containing all of those elements, and live they’ll throw in an a cappella version of ‘I Wanna Dance With Somebody’ just to keep you guessing. Crown and Treaty is the sound of a great, genuinely original, band still discovering what they’re capable of.
2. Bob Mould – Silver Age
Ignore those people who tell you this is a ‘return to form’ – the amazing thing about Bob Mould is not that he’s produced an album reminiscent of the best of the Sugar records, but that he’s been writing songs this good since the early 1980s.
1. Goat – World Music
The hype realised for once. An album that possesses you. We called it a transnational psyche agenda for the weird underground and we stand by these words. Syncretic brilliance. Stunning.
Det Som Aldrig Förändras/Diarabi:
A massive thanks to everyone who has supported us, read these ramblings and listened to anything we’ve recommended this year. You probably will never know how much we appreciate it.
jkneale and angrybonbon
[All of these lovely records are available from shops – independent ones, big shiny ones, online ones (who pay their tax), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too, so if you like any of this and haven’t already bought them, go on! They’ll be cheap by now]
Deerhoof seem to have called their new record Breakup Song purely so they could take a cheap shot at Bon Iver in the press materials, which is fine with us. If this is a breakup album, then it clearly wasn’t much of a relationship – this is a blast from start to finish. It’s definitely Deerhoof but with a slightly different mix of beats and ingredients; listen to the horns and latin rhythms on ‘The Trouble with Candyhands’, for example:
The first three songs – ‘Breakup Songs’, ‘There’s That Grin’ and ‘Bad Kids to the Front’ are proper pop, with extra fuzz/clattering/jerkiness. ‘Flower’ is a lovely woozy snippet, sounding something like Black Moth Super Rainbow; another version of it appears, without the beats, as a cheesy pop interlude folded into ‘Candyhands’. ‘To Fly or Not to Fly’ plays the same trick, the almost-nonsense lyrics sandwiched between great dirty slabs of distorted guitar and epic keys. The album ends with the rather lovely ‘Fête d’Adieu’, which makes you think that this might be a post-breakup record after all, as Satomi Matsuzaki sings “Ready to be tough as a robot on the dancefloor/A muscle in the heart”.
One of the other tracks on this album is called ‘We Do Parties’ and this is a Deerhoof party record. If you have just split up with someone, put this on loud, throw yourself about, and get ready to be tough as a robot on the dancefloor.
Breakup Song is out on Polyvinyl Records on the 4th September.