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Both Bars On: Top 20 Records of 2012

BBO album of the year

Yes, that’s right dear reader: such was the overwhelming amount of top music this year we’ve given our end-of-year list a dose of max enlargement pills and extended it to a mighty top twenty.

Those that didn’t make this engorged run-down and hence reside in our honourable bubbling under category include: Swans – The Seer; Toy – Toy; Monolake – Ghosts; White Manna – White Manna; Easter – Innocence Man; Bass Clef – Reeling Skullways; Umberto – Night Has A Thousand Screams; The Eccentronic Research Council – 1612 Underture; and Mouse on Mars – Parastrophics.

A special mention goes to British Sea Power’s EPs 1-6. Well it wouldn’t be one of our lists without them, would it? If we could have counted these as one album it would have made the top five. Obviously.

So here it is, Merry Listmas. Everybody’s having fun (somewhere else).

20. Eat Light Become Lights – Heavy Electrics

19. Alexander Tucker – Third Mouth

18. White Hills – Frying On This Rock

17. Fanfarlo – Rooms Filled With Light

16. Wishmountain – Tesco

15. Drokk – Music Inspired by Mega-City One

14. Mugstar – Axis

13. Fighting Kites – Fighting Kites

12. Belbury Poly – The Belbury Tales

11. Euros Childs – Summer Special

10. Egyptology – The Skies

The Skies

This analogue symphony had us frothing on about ancient astronauts and the geomancy of Giza back in July. It’s still taking us somewhere weird and wonderful. The best of the seemingly never-ending fascination with old synths and arpeggiators that pervades the world of electronica. Long may this fascination continue.

Orbis (Live):

9. Deerhoof – Breakup Song

11183_lpjacket

All over the shop, but in a good way, Deerhoof’s Breakup Song threw all kinds of idea together to make another off-kilter pop hit. Needs to be played loud.

‘Fête d’Adieu’:

8. Godspeed You! Black Emperor – ‘Allelujah! Don’t Bend! Ascend!

godspeed

It came from nowhere, and nowhere on BBO will you find the review this album richly deserves. Yet it does exactly what you want a Godspeed! album to do, and then some. Colossal drones, magisterial builds and releases, and immense noise, all suffused with a politics for those that know.

‘Mladic’:

7. Bill Fay – Life is People

billfay.11298alt

Two astonishing albums at the start of the 1970s and then another one in 2012. The voice is warmer, but even more haunted, and Fay’s conviction still burns through as clearly as it ever has: “I personally need to believe that this world just can’t go on and on and on in the way that it goes.”

‘Be At Peace With Yourself’:

6. Beak > – >>

Beak

A marvellous pulsing head throb of analog musings and music from this threesome. Retro-futurism might not be a thing, but this sounds so extra-temporal we can’t help looking at the future through the past (and often vice-versa). If we had a record label of the year award it would probably go to Invada Records as well.

‘Mono’ (Ok, not technically on the album, but it’s a cracker):

5. Fang Island – Major

Major

Like a cheeky-monkey off its bits on riffs. With shit-eating gurns and post-ironic chest bumps all round, Major is always there for the dark days and the light days. Simply…YES!

‘Asunder’:

‘Sisterly’:

4. Plank! – Animalism

Animalism

Owls and pigs. Owls, pigs and fighting ferrets. Animalism  is nothing short of an extraordinary debut of Neu-proggish grooves and looped noodling and funk. Looked into the Owl’s eyes and agree. You now agree.

‘Dying for Pigs’:

‘King Rat I, II, III’:

3. Sweet Billy Pilgrim – Crown and Treaty

sbp

Prog, pop, country – Sweet Billy Pilgrim will do you an album containing all of those elements, and live they’ll throw in an a cappella version of ‘I Wanna Dance With Somebody’ just to keep you guessing. Crown and Treaty is the sound of a great, genuinely original, band still discovering what they’re capable of.

‘Archaeology’:

‘Brugada’:

2. Bob Mould – Silver Age

bobmould

Ignore those people who tell you this is a ‘return to form’ – the amazing thing about Bob Mould is not that he’s produced an album reminiscent of the best of the Sugar records, but that he’s been writing songs this good since the early 1980s.

‘The Descent’:

‘Star Machine’:

1. Goat – World Music

World Music

The hype realised for once. An album that possesses you. We called it a transnational psyche agenda for the weird underground and we stand by these words. Syncretic brilliance. Stunning.

‘Disco Fever’:

‘Goatman’:

Det Som Aldrig Förändras/Diarabi:

A massive thanks to everyone who has supported us, read these ramblings and listened to anything we’ve recommended this year. You probably will never know how much we appreciate it.

Want more recommendations? We’re available on Twitter and Facebook to annoy you further.

jkneale and angrybonbon

[All of these lovely records are available from shops – independent ones, big shiny ones, online ones (who pay their tax), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too, so if you like any of this and haven’t already bought them, go on! They’ll be cheap by now]

Belbury Poly: The Belbury Tales

It feels like I’ve been here before… Perhaps it’s my age, but the Belbury Poly’s take on the world seems very familiar, if not entirely right. I couldn’t tell you whether the mostly electronic sounds are authentic – I leave that to my blogging partner – but the sense of place and time are entirely convincing to anyone who soaked up enough TV and film music in the 1970s and early 1980s. Of course at that age you have no idea that this is part of a genre; but I challenge you to listen to something like ‘A Pilgrim’s Path’ and not remember this playing out over the ending to the final episode of a six part series, maybe after one of those Seventies Endings…

The whole thing is strung together in the booklet by a short story by Rob Young, author of the brilliant Electric Eden, which gives the whole thing a convincing home amongst the traditions of lightly-fried English folk. There’s a fantastic interview with Jim Jupp (who is Belbury Poly) here that does an excellent job of exploring this imaginary past and the imaginary village of Belbury.

My enjoyment of listening to this was magnified by the coincidence of tracking down a series of science fiction short story collections by David Hutchinson that I loved in my early teens. Their covers look like the kind of thing the Ghost Box people do so well:

Some of the stories relocate old terrors to the late 1970s and early 1980s, which is why they seem to fit the flutes and electronics of The Poly. So whether you’re a genuine seeker after the earth mysteries or the old straight track, or have a faint memory of watching a programme about a moustachioed psychic detective who drove an MG Midget, this really is your passport to another world. A better one, I think.

You can buy this here:

Album preview here:

JKneale

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