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Both Bars On: Top Thirty Records of 2016

turkeys-marching-fade-2.jpgWelcome to our eighth best-of-the-year list, and our second as a crack team of four. It’s patently obvious that 2016 has been thoroughly rubbish*, but at least we’ve had plenty of good music to set against the headlines, bowings-out and splittings-up. The compilation of our Top Thirty Records of 2016 was less painful than usual too, the smooth working of one well-oiled machine (we call him Pete). Still, those of you who come back every year will see that despite the neatness of the electoral process the list shows the usual surfeit of eclecticism.

So we invite you to view our shiny baubles, our fresh and seasonal produce. Not a turkey to be seen, apart from the four above. See you in 2017 – at the very least it won’t be 2016. Cheers!

(*although angrybonbon got married to the love of his life, so 2016 wasn’t all bad for everyone. Cheers!)

In the bubbling under category: Apostille: Virile Strain Transmission; The Belbury Poly: New Ways Out;  Bob Mould: Patch the Sky; Weaves: Weaves; Radar Men From The Moon: Subversive II: Splendor of the Wicked; Ben Chatwin: Heat & Entropy; Steve Hauschildt: Strands; Hen Party: Glitter Sweats.

Reissues: Sweet Billy Pilgrim: We Just Did What Happened and No One Came

The Top Thirty:

30. Galcid: Hertz

29. Ogre & Dallas Campbell: Night of the Living Dead (Original Motion Picture Rescore)

28. Peter Baumann: Machines of Desire

27. Mugstar: Magnetic Seasons

26. Factory Floor: 25 25

25. Vanishing Twin: Choose Your Own Adventure

24. Barberos: Barberos

23. Goat: Requiem

22. Opeth: Sorceress

21. John Carpenter:Lost Themes II

20. Go March: Go March

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Add Go March to your list of famous Belgians as this Antwerp band lay out a striking debut of spiky motorik and krautrock.

19. Juan Atkins & Moritz Van Oswald: Transport

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Two of the heavyweights of techno come together as Borderland to produce the deepest beats and phasing loveliness.

18. Yak: Alas Salvation

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Fearsome guitar noises, shouting, tunes. Victorious!

17. Grumbling Fur: FurFour

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Mind-expanding pop music, featuring biblical patriarchs from outer space.

16. The Heartwood Institute: Calder Hall: Atomic Power Station

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Sizzling with radioactivity, the polymath that is The Heartwood Institute delivers a beautiful slice of electro-hauntology.

15. The Pineapple Thief: Your Wilderness

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Somerset’s greatest prog band return to form with King Crimson/Porcupine Tree drummer Gavin Harrison along for the ride.

14. Teleman: Brilliant Sanity

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The second collection of slightly wonky but brilliant pop songs from a band who seem to be able to produce them without breaking a sweat.

13. Thee Oh Sees: A Weird Exits

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San Francisco psych rockers manage what looks like a crossover smash on their first of their two records for 2016.

12. The Mortlake Bookclub: Exquisite Corpse

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The only soundtrack you need for the Folk Horror Revival. Four movements of palimpsest drone that both spooks and moves.

11. Martha: Blisters in the Pit of my Heart

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Reminds you it’s still possible to do quite a lot with the raw materials associated with ‘punk’ & ‘pop’ if you’re as smart and lively as this lot are.

10. worriedaboutsatan: Blank Tape

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Brooding, ambient electronica and hypnotic atmospheric rhythms. Antoher top class album from this duo to follow last years’s Even Temper.

9. Posthuman: Back to Acid

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12 tracks of caustic pleasure, from the robotic march of ‘Six Hundred’ to the delicious twang of ‘Beat Down’, via the excellent atmospheric throbber ‘Mezzotint’. I’ve said it before, Acid House is the new Dad Music.

8. Warning Light: Life Death Suite EP

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Entrancing clatter and looping tones as a taster for the full album.

7. Teenage Fanclub: Here

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It’s been six years since the last one, but the Fannies shine just as brightly as they ever did.

6. A Year in the Country: The Quietened Bunker

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Nothing quite says 2016 like a compilation album on the theme of abandoned cold war structures and bunkers, because underground is where we’ll all be living soon after the nuclear button gets pressed. Unsettling drone, snatched samples, glitched beats and claustrophobic synths; it’s all here.

5. Meilyr Jones: 2013

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So rich, extravagant, and strange that it sounds like a ‘best of’ album covering several years in an artist’s life; no single track can do it justice but this will do fine here:

4. Voyag3r: Are You Synthetic?

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The perfect SF adventure album. From laser duels on frozen planets to war rockets being dispatched to Ajax, this album oozes class and sophistication whilst not taking itself too seriously. It’s the sound of a band having stupid amounts of fun and tracking ‘Flash Gordon On Ice: the Musical’ whilst they’re doing it. Utterly brilliant.

3. Gnod: Mirror

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Our Salfordian troubadours picked up the guitars (or banjos as they like to call them) once again and proved why they lead the pack when it comes to enveloping sludge, resistant noise and all-consuming terror.

2. Matmos: Ultimate Care II

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Two men, one washing machine and one track. Every sound made from said cleaning device. From intimate glitch to all-out pounding techno. Too see this live, replete with the machine, was to marvel at the wonder and genius that is Matmos. Amazing.

1. Oscillotron: Cataclysm

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The purest and deepest space music. Cosmic kosmische of the highest order. An album that let us take flight and escape the hideousness of this worldly reality, especially as it unfolded this year. Transcendental.

 

So you can do yourself a big end-of-the-year favour and go buy some or all of the above albums. They are available from shops and sites – independent ones, big shiny ones, online ones (who pay their taxes), ones where there isn’t really a shop but you have to email some bloke. We like buying records – actually, we really do. And we think you should too.

Merry Xmas and a happy Newest Year one and all.

angrybonbon, JKneale, matthewpetty & Pete Collins

Joensuu 1685: Ruby Lounge

This review is somewhat late, but a gig of such quality needs to be documented: three great bands providing real value and instilling a sense of faith in the kids of 2010.

First up were Asleep Beneath Volcanoes. There was something of the Fuck Buttons about this Kendal based two-piece: building and varied bleeps met fuzzed guitars with enough ideas to keep the paltry crowd interested. Towards the end of the set (where discerning tune from tune was difficult and mostly superfluous) one of the duo took up vocals whilst bashing a guttural rhythm from a single floor tom which only enhanced the cacophony further. Worth checking and looking out for. Myspace

Next came the visually and sonically arresting Barberos. Consisting of two drummers, an electronics conductor and a VJ, each bedecked in all in one silver suits, this outfit produced a tight, energising and amusing set. Sitting somewhere between Battles and Add N to X the symbolic fit of attire, visuals and sound was perfect and very entertaining. Despite one track coming uncomfortably close to J*zz, the sheer power of two drummers led to some jaw dropping moments. Myspace

Finally the headliners: Joensuu 1685. This Finnish trio impressed well above expectations with a blazing set where the influences are plainly obvious, but far transcended. An edifying mix of feedback, pounding metronomic drums (think Secret Machines) and bass, old keyboards twisted through effects and hymnal vocals speaking to themes of spiritual redemption, Joensuu 1685 are a startling live band. And the album is similarly striking. Go get, but try some below first.

Crystal Light

Baby, Baby, Baby

I’m on Fire (Bruce Springsteen Cover)

angrybonbon

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