Dan Friel: Life
Parts & Labor were, and remain, the greatest noise-rock band of this century thus far. Don’t agree? Well you’re wrong.
For his second solo outing on Thrill Jockey, Dan Friel, front man of now defunct said band, has coordinated his machines to reflect, ruminate on and represent his experiences of the birth of his son. Arguably then, this is his answer to Raymond Scott’s Soothing Sounds for Baby, but Life is often anything but comforting – it’s an album akin to a sweet tasting pacifier wrapped in sandpaper.
Off-axis opener ‘Lullaby (For Wolf) is the perfect woozy disjunctive for the mayhem ahead. ‘Cirrus’ at first listen is anything but little fluffy clouds with its sharpened bullet beats. Yet floating through it is the sugary, most airy, of melodies. And this is where Mr Friel has always excelled – simple lead lines that are equal parts uplifting and melancholic. One wonders what he’d achieve if he went all-out Pop. I’m convinced Chart domination would be guaranteed. Of course it ain’t gonna happen, but it’s an intriguing proposition.
‘Lungs’ wheezes and pants its way into your chest cavity, before upping the rattling noise and breaths per minute. ‘Sleep Deprivation’ is wonky synthesised mosquito whines. ‘Life (Pt. 1)’ sees our maestro place melody at centre stage once again and results in an overwhelming sadness for the demise of Parts & Labor. On ‘Bender’ that curious Celtic lilt to Friel’s work returns.
Friel’s makes his machines perform the most brilliant arcade crunchstep; this is 8-bit stomping beyond any hipstered discovery of SID chip aesthetics. And once again he’s triumphed.
Life is out on Friday 16th of October. Buy it here