Flange Circus: Overexposed EP

Flange_Circus-Overexposed_EP

The four tracks on Overexposed EP, Flange Circus’ second self-produced release, each have a distinct sound of their own, but they are all definitely in the groove of electrically driven post-nu-kraut-psych-orbit-rock shot through with (dare I say it?) Northern Humour. I say orbit, because this Mancunian quartet are definitely grounded, not whirling completely into space.

Teaser tune and EP opener ‘Fabric Lughole Systems’ starts out with a driving warped synth line, before the reverb-soaked electronic melody takes control for the rest of the ride. This is a chase scene through some rain-soaked streets, taking side roads, then crossing against traffic. A pause for breath – have you shaken off your pursuers? Not now you’ve gone down a dead end. A resonant acidic pulse sweeps in as your pursuers approach, closer, there’s no escape… or is there?

Echoes of a warehouse with a strange machine at the center introduce ‘FAT CRAB’, before crunchy windswept Hawkwind guitar takes control. This is joined by mellotron-like organ, synth sweeps, and a single processed vocal stating the subject and the purpose of the piece. A live set would use this as a form of chant, perhaps. Even a signature dance move? The second half brings the one-chord driving guitar and organ, returning to the main theme, before wigging out in a whirlwind of electric sparks, ending on an almost church-like note.

‘Leopard Skin In Miniature’ starts out as what sounds like a straight rock song, backed with strings and whirring overhead noises, and distant paranoid phrasing from vocalist Pete, before some sinister Russian speech stops things in their tracks. Arpeggiated bleeps lead back into the main theme, and as the track resolves, the walls of sound move away, leaving you alone in the dark, with the electric fireflies.

I love me a phased intro, and ‘Disko Bay’ does not disappoint. The slow burn back-and-forth synths build, then step back for an electronic tapped phrase overlaid with violins, before all is brought down for the slow guitar notes and a beautiful piano resolution. A great EP-closer, and even better set-closer.

In this release, Flange Circus have taken the ideas and ideals of their debut Ekranoplan EP, and a couple of layering techniques from the spinoff drone duo Zirkus, pushed the rock harder in places, brought forth the psych, kept the humour, twiddled the knobs a bit more, added very welcome vocal touches, and come up with a tight, atmospheric and thoroughly good EP. Nice one. Buy it here.

FULL DISCLOSURE: Flange Circus contains two members of Both Bars On, in the great tradition of music journalists  being in bands.Their previous release was reviewed by the then only other member. Now they’ve got me on board (the other new fella couldn’t do it because he’s in the band as well), so I drew the short straw this time. Except it’s a long curvy (yet angular) straw, which leads to places known and unknown, and I genuinely enjoyed the ride.

matthewpetty

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About matthewpetty

UK Engineer washed up on the shores of the Arabian Gulf. Both Bars On Middle East Correspondent, presenter of the Coiled Spring podcast.

Posted on July 4, 2015, in Album reviews and tagged . Bookmark the permalink. 1 Comment.

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